王新陵,1952年生,苏州人,早年曾随何昉先生学习综合艺术,随吴企明先生学习古典文学,随林冈先生学习 书法 。1984年分别在无锡市、扬州市、泰州市举办个展,1990年在苏州市物贸集团举办观摩展,1993年在深圳市举办个展。其《行草书布白与绘画构图》等数十篇论文在国内期刊发表。 吴中著名画家王新陵因病于2011年2月1日13时56分在苏州逝世

Wang Xinling, born in 1952, was from Suzhou. In his early years, he studied comprehensive art with Mr. He Fang, classical literature with Mr. Wu Qiming, and calligraphy with Mr. Lin Gang. In 1984, solo exhibitions were held in Wuxi, Yangzhou and Taizhou respectively, in 1990 in 1990, and a solo exhibition in Shenzhen in 1993. Dozens of papers such as cursive Cursive White and Painting Composition were published in domestic journals. The famous Wuzhong painter Wang Xinling died in Suzhou at 13: 56 on February 1, 2011

字画,作为中国传统绘画形式,是让中华儿女感到骄傲,并且屹立于世的文化瑰宝。随着生活水平的不断提高,这种原本渐渐远离我们的艺术绘画正以另一种方式走进我们的生活,越来越多人开始收藏字画。在这个市场状态下,字画的价值越来越高,深受各大买家及收藏家的青睐,被视为最值得投资的藏品。

Calligraphy and painting, as a traditional form of Chinese painting, is a cultural treasure that makes Chinese people proud and stand in the world. With the continuous improvement of living standards, this kind of art and painting which was gradually away from us is entering our life in another way, and more and more people begin to collect calligraphy and painting. In this market state, the value of calligraphy and painting is getting higher and higher, which is favored by major buyers and collectors and regarded as the most worthy of investment.

首先,从中国画特别是山水画的艺术传统看,新陵融和着宋、元、明、清历代山水名家的笔墨、色彩和构图的技法,融和了工笔、写意、没骨、泼墨等多种艺术手段,博采众长,为我所用,完全是自己的面目,崭新的面目。其次,从吸收新的绘画理念和技法方面考察,新陵能注重汲取现当代画家新的艺术思维方式和时新的审美趋向。尤其是他能注重融合西方绘画新理念和技法,如光色的调合、造型的新奇、象征手法的运用、抽象意念的渗入等。
 在古与今、中与西的艺术融通基础上,新陵巧妙处理好笔之粗与细、色之冷与暖、光之明与暗、质感之轻与重、写实与写意等多方面的辩证关系,充分发挥艺术辩证法的巨大威力。他突破一山一水的模范、山骨水态的刻画,高度概括大自然的山水美,着重表现山水之精神和灵魂,以及它们恢弘博大的气魄。《山魂水魄》、《天风浩荡》等画作,完美地体现出这种艺术追求。总之,他凭借精深雄浑的笔墨功夫,变幻无穷的光色运用,豪放奇肆的艺术想象和丰富新异的表现技巧,创造出一系列充满东方人文精神和华夏民族气质的绘画艺术品,如《沧桑》、《十里画廊》、《沱江细雨》等画幅,呈现出独特的艺术风貌,实现自己艺术人生中的一次重大超越。

First of all, from the artistic tradition of Chinese painting, especially landscape painting, the Xinling melts with the ink, color and composition techniques of the Song, Yuan, Ming and Qing dynasties, and the meticulous brushwork, freehand brushwork, boneless, splash - ink and other artistic means, attracting their strengths, for my use, which is completely their own face and a new face. Secondly, from the absorption of new painting concepts and techniques, Xinling can pay attention to absorbing the new artistic thinking mode and the new aesthetic trend of modern and contemporary painters. In particular, he can pay attention to the integration of western painting new ideas and techniques, such as light blending, modeling novelty, symbolic techniques, infiltration of abstract thoughts, etc. In the basis of ancient and present, middle and west art, Xinling skillfully handles the thick and fine, cold and warm, light and dark, light and heavy, realistic and freehand dialectical, give full play to the great power of artistic dialectics. He breaks through the model of mountains and water, the depiction of mountains and water, highly summarizes the beauty of nature, focusing on the spirit and soul of landscape, as well as their grand and broad verve. Painting such as "The Mountain and the Soul and Water" and "The Sky Wind" perfectly reflect this artistic pursuit. In short, he with profound and vigorous brushwork, changing infinite color use, unrestrained artistic imagination and rich new performance skills, create a series of full of Oriental humanistic spirit and Chinese national temperament painting art, such as "vicissitudes of life" , "ten gallery" , "Tuojiang river drizzle" and other paintings, presents a unique artistic style, realize a major transcendence in his art life.

新陵之“融”,可以从两方面加以探索。首先,从中国画特别是山水画的艺术传统看,新陵融和着宋、元、明、清历代山水名家的笔墨、色彩和构图的技法,融和了工笔、写意、没骨、泼墨等多种艺术手段,博采众长,为我所用,完全是自己的面目,崭新的面目。其次,从吸收新的绘画理念和技法方面考察,新陵能注重汲取现当代画家新的艺术思维方式和时新的审美趋向。尤其是他能注重融合西方绘画新理念和技法,如光色的调合、造型的新奇、象征手法的运用、抽象意念的渗入等。 在古与今、中与西的艺术融通基础上,新陵巧妙处理好笔之粗与细、色之冷与暖、光之明与暗、质感之轻与重、写实与写意等多方面的辩证关系,充分发挥艺术辩证法的巨大威力。他突破一山一水的模范、山骨水态的刻画,高度概括大自然的山水美,着重表现山水之精神和灵魂,以及它们恢弘博大的气魄。

The "harmony" of the Xinling Mausoleum can be explored from two aspects. First of all, from the artistic tradition of Chinese painting, especially landscape painting, the Xinling melts with the ink, color and composition techniques of the Song, Yuan, Ming and Qing dynasties, and the meticulous brushwork, freehand brushwork, boneless, splash - ink and other artistic means, attracting their strengths, for my use, which is completely their own face and a new face. Secondly, from the absorption of new painting concepts and techniques, Xinling can pay attention to absorbing the new artistic thinking mode and the new aesthetic trend of modern and contemporary painters. In particular, he can pay attention to the integration of western painting new ideas and techniques, such as light blending, modeling novelty, symbolic techniques, infiltration of abstract thoughts, etc. In the basis of ancient and present, middle and west art, Xinling skillfully handles the thick and fine, cold and warm, light and dark, light and heavy, realistic and freehand dialectical, give full play to the great power of artistic dialectics. He breaks through the model of mountains and water, the depiction of mountains and water, highly summarizes the beauty of nature, focusing on the spirit and soul of landscape, as well as their grand and broad verve.

在“苏东坡杯”、“牧野杯”、“天涯杯”等国内、国际书画大赛中多次获奖。

行草《赤壁怀古》入选《当代书法作品集》。

简历入编《当代中国工艺美术名人辞典》、《93中国美术家年鉴》等文献。

近年来,作品曾多次在新加坡、美国、日本、韩国和中国香港、中国台湾等地展出收藏。

He has won many awards in domestic and international painting and calligraphy competitions, including Su Dongpo Cup, Muye Cup, Tianya Cup. Red Cliff was selected in the Collection of Contemporary Calligraphy. His resume includes the dictionary of Contemporary Chinese Arts and Crafts Celebrities, 93 Chinese Artists Yearbook. In recent years, his work has been exhibited in Singapore, United States, Japan, Korea and Hong Kong, Taiwan, China.

有不少藏家,往往在艺术家还没有怎么出名,或者根本就没有出名的时候,就购藏艺术家的作品。随着市场的发展,当年那些奋斗在市场和艺术领域第一线的艺术家们受到市场的认可并得到投资者追捧,他的作品价格逐渐稳步上扬。因为市场的需求,对其作品的接受程度就更高,投资价值也就逐步显现出来。其实艺术家作品的价格变化,既是投资价值的反映,也是市场选择的结果。

Many collectors often buy artists' works when artists are not famous at all. With the development of the market, those artists who struggled in the front line of the market and art field were recognized by the market and sought after by investors, and the prices of his works gradually rose steadily. Because of the market demand, the acceptance of his works is higher, and the investment value is gradually revealed. In fact, the price change of artists' works is not only the reflection of investment value, but also the result of market selection.

首先,书画艺术品作为我国传统文化精髓,一直源远流长,无论是古代名家书画,还是当代书画家作品,都会随着时间的推移,不断升值,变得越发值钱!

First of all, as the essence of Chinese traditional culture, paintings and artworks have a long history. Both ancient famous paintings and contemporary painters and painters' works will continue to appreciate and become more valuable as time goes by!

其次,保值是书画收藏最重要的一个理由,也比较符合投资者较高的心理预期。在当代众多的书画家中,随着生活的积累,意境的追求,风格的突破,他们中的一些画家再过二三十年,有可能成为像吴冠中、傅抱石、张大千、徐悲鸿那样的书画大师,到时其书画价格有可能是现在价格的几十倍、甚至几百倍。

Secondly, the preservation of value is the most important reason for the collection of paintings and calligraphy, which is also in line with the higher psychological expectations of investors. Among many contemporary painters and painters, with the accumulation of life, the pursuit of artistic conception and the breakthrough of style, some of them may become masters of painting and calligraphy like Wu Guanzhong, Fu Baoshi, Zhang Daqian and Xu Beihong in another 20 or 30 years, and their painting and calligraphy prices may be dozens or even hundreds of times of the current prices.

收藏行业有一条不成文的铁律:“收藏是一项稳健、长线、低风险的投资,一般需要收藏5～10年才能让藏品的价值升值到理想状态。”经过书画市场最近几年的发展,古代和近现代大名家作品单幅价格已过百万甚至千万元大关,中等名家的作品单幅价格也在10万或数十万元,就连稍有名气的画家,其作品价格动辄也已涨到数万元、数十万元。

There is an unwritten iron law in the collection industry: "Collection is a stable, long-term, low-risk investment, and it usually takes 5 to 10 years to make the value of the collection appreciate to an ideal state." After the development of the painting and calligraphy market in recent years, the single price of ancient and modern famous works has exceeded one million or even ten million yuan, and the single price of middle famous works is also 100,000 or hundreds of thousands of yuan. Even the slightly famous painters' works have risen to tens of thousands of yuan and hundreds of thousands of yuan.

最后,市场上现在流通的字画比较多,有古代名家的字画,有近代名家的字画,还有当代名家的字画等,其中古代名家的字画真迹,在市场上流通的已经屈指可数,大都进入了博物馆和被富商们收为己用,而近代名家的字画在当代市场上,赝品居多。唯有当代名家的字画作品,价格还没有被抬高,所以现在收藏正当时。

Finally, there are many calligraphy and paintings in circulation in the market, including those of ancient famous artists, modern famous artists and contemporary famous artists. Among them, there are only a handful of original calligraphy and paintings of ancient famous artists circulating in the market, and most of them have entered museums and been collected by wealthy businessmen for their own use, while the calligraphy and paintings of modern famous artists are mostly fake in the contemporary market. Only the calligraphy and painting works of contemporary famous artists have not been raised in price, so it is just the right time to collect them now.

此幅字画保存完好,存世稀少,非常值得收藏,此幅画具有非常高的投资收藏价值!

This painting is well preserved and rare. It is worth collecting. It has a very high investment value!